9.30.2011
9.29.2011
Charlotte-- Charlotte-- What has become of you?
9.28.2011
9.27.2011
9.26.2011
9.25.2011
9.24.2011
9.23.2011
From the UW Archives:
der Rathskeller, men only, 1933
9.22.2011
9.21.2011
9.20.2011
9.19.2011
9.18.2011
9.17.2011
9.16.2011
9.15.2011
9.13.2011
9.11.2011
"On the brink of the ultimate truth":
Or, The Brotherhood of Sleep[y]
Two lists that "just, uh, slither[ed] out" from the glazed boredom of watching John Carpenter's Prince of Darkness
CONS
It's frustrating and confusing and strangely satisfying to see those capable of stunning greatness produce-- for whatever reason-- misses, disappointments.
- Donald Pleasance.
- Victor Wong working very hard (his integrity).
- Graduate students destroyed by satanic forces.
- Attempt to locate horror in the subatomic.
- Choreographic filmmaking.
- Applied Physicist Catherine Danforth & Lisa who is “getting [her] doctorate in theology—analysis of ancient scriptures.”
- Mustachioed Jameson Parker.
- Peter Jason as Dr. Paul Leahy, singing, carrying junk food.
- Nuns in habits; anti-Papistry.
- Nervous, unfunny jokes told by Dennis Dun as Walter.
- Carbonated soda (7-Up?) as weapon.
- Jameson Parker struggling through a window in tight light jeans c. 1986
- A: Birack did that whole series of debates on the BBC. A few years ago.
B: Oh, with the English priest. Right. - The idea of Alice Cooper as Street Schizo.
CONS
- Plodding pace.
- Victor Wong working very hard (the pathetic cramp of effort wasted).
- Street people & insects-- as the devil’s henchmen-- identified as “simple organisms.”
- Utter conceptual incoherence.
- Shitty script, except in certain spots and only on the subatomic level.
- “Confirmed sexist, and proud of it. Hey. I was just joking. What happened?”
- Absence of nudity, male and female (see also, CON #10 below).
- First they laboriously pile all the furniture to block the door. Then, they laboriously move the furniture away from the door.
- Jesse Lawrence Ferguson laughing then pouting in a mirror would be captivating if not for the context of this narrative, this film.
- Consistently unsympathetic characters, each without an iota of human vulnerability even on the level of fleshiness (see also PRO # 3 above).
- Primary effect: streams of water shooting from mouths.
- Additional effects: fluids filmed upside down; underwater as alternate/negative reality.
- Plodding pace slows as movie progresses.
- The result of Alice Cooper as Street Schizo.
It's frustrating and confusing and strangely satisfying to see those capable of stunning greatness produce-- for whatever reason-- misses, disappointments.
9.10.2011
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