Fit, hairy chunk of trade, related to strains of
masculinity I knew directly when a teen— a degree of poverty, swaggering in
cowboy boots to a truck of giant proportions, emptiness filled in with some
scent (the brand of cigarettes, or gum, or cologne, or some powdery product). In his
early videos, while being serviced, he puts his wrist to his temple, with hand
extended forward at a 45 degree angle to his arm (maybe a 90 degree angle, but
it feels like 45 when I practice on
myself). A gesture of the heroine overcome by emotion or lack or some such. Was it affectation? Genuine physical response? Looking at him, his mind/body folding
in on itself, I am moved and aroused in equal proportions. A loss of control, a
being over come. I remember, less clearly, one other instance of some thing akin—a lanky, cocky British bloke with a thick masculinity and a radiant delight in
men’s desire for men where he’s involved. Again, a gesture of hand
to head. Maybe palm front, on one temple, rotating wrist upward? (It’s painful when I try, as if something delicate’s getting wrenched.) How does that which typically
defines staginess become, at the least, ambivalent if not full blown truth?
He puts his wrist to his temple, with hand
extended forward at a 45 degree angle to his arm, his eyes sinking.
Someone must have given him a note because at
some point he stops. Acting takes over. Such a shame.
2 comments:
Post-Judson choreography, its Labanotation.
I did the lights at judson church, chunky, I did not check my watch,
but practiced on myself, the fixture was but three light switches, dimmers,
a nude plate installed by someone's father's hands, some jj who by now must
be post-judson, palm front, just a show-off, affectations posted to judson
post-haste, hot air mail, empty envelopes stuffed and sinking, full-blown,
thick and folding in on themselves
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